ROLE: Flame Artist | VFX Compositor
CLIENT: 20th Century Fox
VFX SUPERVISOR: The Brothers Strause
DIRECTOR: The Brothers Strause
Regardless of one’s opinion on this somewhat anticipated sequel’s merits, “Alien vs. Predator: Requiem” represented a huge amount of quality VFX work accomplished by a rather small team of artists.
“AVP-R” was the directorial debut of Greg and Colin Strause, owners and VFX supervisors of the mid-sized shop Hydraulx, known for producing high-end work with limited resources on a compressed timeline … among other things.
Like previous projects, this film proved to be no different, conceived as an A-level visual effects blockbuster with a B-level budget. But this time it was produced entirely in-house.
I worked on a number of shots, utilizing every trick in the book to get away with as much as possible, as quickly as possible: CG aliens and jaw strikers; CG helicopters; CG and practical blood and gore (complete with parasitic flies); practical and painted spark hits and explosions; matte paintings for wounds, landscapes, and battle damage; monitor comps; various rig removals and clean-ups; and grading of all types.